19th - 28th May 2006
VENUES IN SINGAPORE
Exhibition opening:
Friday 19 May, 7:30pm
Till Sunday 21 May 2006
Sculpture Square
155 Middle Road
Screening:
Wednesday 24 May, 7.30pm
Spell #7
65 Kerbau Road
Exhibition opening:
Friday 26 May, 7:30pm
Till Sunday 28 May 2006
Front Room Gallery
12A Pahang Street
Organisers:
Bandung
- Erik Muhammad Pauhrizi (Co-founder of Devil Chips Video)
- Ristyo Eko Hartanto (Co-founder of Bandung Center for New Media Arts and Common Room)
Singapore
- Urich Lau
- Harman Bin Hussin
Project Statement: Singapore Participation for Displacement
Displacement is a challenge with spatial and structural concerns in architecture, cityscapes and urbanization; especially in the perspective from the cities' denizens; identity / awareness / adaptability of the self within the urbanized circumstance; the human entity in the technological world; technologies to keep a city running, in information, and in communication; and the transitory conditions of city-features that are at once concrete and static, and at the same time prone to dilapidation and demolition.
The project proposal is contextualized for the Singaporean artists. The pre-eminent factor in this project is the translocation of the exhibitions from Bandung to Singapore. This relates strongly on the idea of duality from the two cities, in differences and similitude. The artists are contested with universal concepts dealing with the body or people, structure and space in the thematic scheme of the dual cities.
- Urich Lau
Why Bandung-Singapore?
Displacement is a video project. To create an illusion in real spaces and encourage personal, stimulating memories and restructure irritation.
The project is to investigate the similarities/differences between space within specific country or region and to realise this can be as contrasting and culturally diverse as comparing two countries/cities; to investigate the cityscape, media and communicate feelings of displacement in their own area, and construct a displaced space throughout city as new spaces."
- Erik Muhammad Pauhrizi
VENUES IN SINGAPORE
Exhibition opening:
Friday 19 May, 7:30pm
Till Sunday 21 May 2006
Sculpture Square
155 Middle Road
Screening:
Wednesday 24 May, 7.30pm
Spell #7
65 Kerbau Road
Exhibition opening:
Friday 26 May, 7:30pm
Till Sunday 28 May 2006
Front Room Gallery
12A Pahang Street
Organisers:
Bandung
- Erik Muhammad Pauhrizi (Co-founder of Devil Chips Video)
- Ristyo Eko Hartanto (Co-founder of Bandung Center for New Media Arts and Common Room)
Singapore
- Urich Lau
- Harman Bin Hussin
Project Statement: Singapore Participation for Displacement
Displacement is a challenge with spatial and structural concerns in architecture, cityscapes and urbanization; especially in the perspective from the cities' denizens; identity / awareness / adaptability of the self within the urbanized circumstance; the human entity in the technological world; technologies to keep a city running, in information, and in communication; and the transitory conditions of city-features that are at once concrete and static, and at the same time prone to dilapidation and demolition.
The project proposal is contextualized for the Singaporean artists. The pre-eminent factor in this project is the translocation of the exhibitions from Bandung to Singapore. This relates strongly on the idea of duality from the two cities, in differences and similitude. The artists are contested with universal concepts dealing with the body or people, structure and space in the thematic scheme of the dual cities.
- Urich Lau
Why Bandung-Singapore?
Displacement is a video project. To create an illusion in real spaces and encourage personal, stimulating memories and restructure irritation.
The project is to investigate the similarities/differences between space within specific country or region and to realise this can be as contrasting and culturally diverse as comparing two countries/cities; to investigate the cityscape, media and communicate feelings of displacement in their own area, and construct a displaced space throughout city as new spaces."
- Erik Muhammad Pauhrizi